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appetite_for_disruption

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spaceexp:

Europa Park 029

Source: molaire2

omnireboot:

From OMNI Magazine April 1991 
View more at OMNI Reboot now!

omnireboot:

From OMNI Magazine April 1991 

View more at OMNI Reboot now!

tormented-spirituality:

The Sleeping Partner by Louis Raemaekers

tormented-spirituality:

The Sleeping Partner by Louis Raemaekers

cross-connect:

The Godlike Mythological and Geometric Paintings of Miriam Escofet

My ‘arrival’ at painting has been a slightly unusual one, in the sense that I purposely set out to study a skills based 3D Design course, where I specialized in ceramics. My rationale for this being that I have always loved the ‘making process’ and I am very interested in the three dimensional and textural quality of objects and spaces. I worked in clay for some years after leaving Art College, whilst starting to get commissions for paintings (mainly watercolours at the time). The painting evolved from this  and eventually took up all my time. Drawing and making are still at the core of the work, but painting allows me to invent other spaces and ideas with no physical constraints.

Thanks to Hi-Fructose Magazine for the find

turecepcja:

Willy Verginer born 1957 in Bressanone, is Italian woodcarver artist who works and lives in Ortiseiis, Italy.

intrepidprofessor:

Take initiative. You won’t believe how easy it is for things to happen if you jut go out, and make them happen.

intrepidprofessor:

Take initiative. You won’t believe how easy it is for things to happen if you jut go out, and make them happen.

mylittlewickedthings:

Ornitorrinco Blues…

asylum-art:

Art, Science, & Soap Bubbles, According to Santiago Betancur Z

Photographer and painter Santiago Betancur Z explores the intersection between science and abstract art in his photographic studies of bubbles, as well as producing life-size figure painting. In his photographs and video recordings, Betancur Z captures imagery of soap bubbles against dark backgrounds, showcasing the random kaleidoscopic color and light effects produced by the delicate spheres, and the chance allusions that occur in their surfaces, such as in Scream (2013), whose ghostly forms recall Edvard Munch’s.